How to make and animate a shamanic tambourine. How to make a real shamanic tambourine yourself at home. Magical techniques and technologies for making a shaman’s tambourine yourself with a detailed description and visual photos. How to go into tra

How to make musical instruments with your own hands in order to distract your child from the tablet, cartoons and just have fun together.

Homemade children's musical instruments are a great way to engage your child in a never-ending game. It doesn’t matter whether he constructs a musical instrument with his own hands together with you or not. The fantasy that comes into play the moment you start making musical instruments from what you have at hand helps you see the world differently.

What can I say if once upon a time a bowl was a drum? Studying music is very important for intellectual development child, so below is a list of 10 ways to create homemade children's musical instruments.

Children are often in love with music and sounds even before birth. They always react to her and jump from the sound of daddy's kisses while in their tummy.

Parents, in turn, often try to reinforce the love of everything musical, including dancing, songs and sounds. One of the best ways Homemade musical instruments with your own hands can help achieve the goal, so if you are also looking for ways to instill musicality in your child, this is the place for you.

A musical instrument does not have to be cool and expensive, why we can all appreciate homemade options. A thousand ways to recycle what you don't need and use craft supplies for DIY musical instrument crafts for kids takes you one step closer to an instrumental family party!

Whisk - maracas

If you have a couple of extra whisks lying around, they can be quickly transformed into maracas. You just need to find a couple of bells and string them on a wire and attach them inside the whisk. You can even make maracas with different sounds by choosing different sized whisks or bells.

Rubber rope - guitar

The craft is simple: an old empty box and rubber bands. The more colorful the rubber bands, the merrier. The thickness of the rubber band changes its sound - so try it out and decide on your own ballad.

Cymbals

What child doesn't love to knock on things?! We certainly don't want broken glass tops or broken appliances. Thus, perfect solution- metal jars for spices. If you hit all the covers at once, the sound is “gorgeous”, but, fortunately, not very deafening.

Rattlers and noisemakers

Again about metal cans. Fill one side with nuts and/or beans, close with the second jar, and tie with an elastic band. You can also use plastic Easter eggs.

You can also make a children's musical instrument, a rattle, using a large oatmeal container. Just secure the lid with rubber bands so that the sound does not deteriorate and the contents do not fall out. If you decorate the box beautifully, it can even be used at some school parade.

Drum set

If you just need to rattle, take an old tin and some kind of kitchen utensil that can be used to slide along the edges of the can. If the eye fell on a more complex music device, using sticks, cans and brackets, make a complete drum kit (just make sure all the sharp edges are sanded down or capped).

Xylophone

Wooden, metal or water in glasses - xylophones are different, and their sound even more so.

The simplest type of xylophone is glasses filled with water and the technique of sliding your finger along the rim. More complex ones include options for making a wooden xylophone, but the Internet has a million tips for any level of complexity.

Home outdoor play areas

Some people spend a fortune creating a mini orchestra at home, but it doesn't have to be that big or expensive. Stretch several ropes in the yard, hang rattles, noisemakers, maracas on them, and place large “drums” nearby. The neighbors are guaranteed a rock concert.

rattle drum

This homemade musical instrument made from pink striped socks is perfection. This is a rattle drum. It's a great introduction to the world of music for little ones, and even a fun toy for older kids. You just need to look around the house for a few things: a piece of hard cardboard and some twine, and you can make your own tool in a fun and easy way.

Clapping sticks

Simple poppers made from sticks for stirring paint. This is not only a tool, but also an art project for your little ones. Plus, a fun and easy way to reuse paint stir sticks.

Castanets

Castanets are Carmen's noise musical instrument that creates a clicking sound. This sound is somewhat reminiscent of the clicking sound of a rider when he urges his horse forward.

Castanets made from coconut halves are no worse than the original ones. Plus they are super cute and easy for little ones to use. Great way get to know new sounds and feel like a Spaniard for a minute..

A tambourine is a percussion musical instrument of indefinite pitch.

Your child can easily make this rainbow-shaped craft from: paper plate, paints, cotton balls, glue and clothespins.

An original introduction to musical instruments for kids.

Pipe made from tubes

The flute is a folk musical instrument in the form of a pipe made of wood or reed. Using straws, your child can build such a musical instrument.

To do this you will need: tubes of different lengths, scissors, tape and thick tape to wrap the tubes. A little effort and the tool is ready.

We hope the article was useful to you and now you know how you can give old things a second life.

Your child, having made a musical instrument on his own, will demonstrate strengths creative and intellectual thinking.

Diagnostics

05.07.2019

Anyone who is going to practice shamanic rituals should remember that a shamanic tambourine is not just an ordinary musical instrument, but a means for summoning spirits and traveling to parallel worlds. According to ancient beliefs, on a tambourine, like on a horse, a shaman can get to the upper world, where good spirits live, or visit nether world- the abode of evil spirits - using this instrument as a boat to cross an underground river. Therefore, it is very important to learn how to make a tambourine with your own hands.

How to make a shaman's drum

In order to make a tambourine at home, you need to stock up the following materials: veneer, animal skin (skin), epoxy resin, plastic bag, barrel or plywood, glue and boards. Even if you previously had no idea how to make a shamanic tambourine, after that just follow these recommendations:

The technology for making shamanic drums is not complicated. You should choose the right wood to make the rim for your tambourine. In primitive tribes, for this, the shaman went into the forest blindfolded. The spirits directed him to a certain tree, from the wood of which he made a tambourine. Nowadays, it’s unlikely that anyone will perform such rituals, so just think about which tree you like best and is a carrier for you positive energy. After this, purchase veneer of the appropriate species;
You need to take a barrel or cylinder made of plywood. This will serve as the base on which to glue your rim. The veneer must be wound around the base in several rows until it becomes very strong. Use epoxy resin as glue;
The skin of the animal must also be carefully chosen, because it is this animal that you will turn into while traveling through other worlds. Once you have made your choice, purchase the skin from the fabric department, leather goods store or tailor;
The skin must be wetted so that excess moisture did not hit the rim of the tambourine. To do this, it is better to cover the areas in contact with the skin with a plastic bag. The skin can be attached using either glue or nails;
Attach a wooden cross to the rim from the inside using glue or tie it with tensioned belts. It will be very convenient to hold on to during shamanic rituals.

It would seem that what could be simpler than a shaman’s tambourine! But the fact is that this is not just a piece of wood covered with leather, but this - living creature Whether we admit it or not, there’s no other way to say it!

The tambourine is much more complex than many people think. It symbolizes the firmament. By activating certain parts of the tambourine, you activate the sun, moon or stars above you. And they activate the tambourine in a certain way. You need to live with your tambourine to feel it.

The tambourine that the shaman holds in his hands is itself a simple design. Wooden frame, over which a leather membrane is stretched. Various images are often applied to the membrane itself.

And since shamanic culture is now arousing great interest all over the world, many people want to have their own shamanic drum. Many people try to make a tambourine on their own, fortunately there are instructions on the Internet. But will such a tambourine be a real shamanic tambourine? It turns out - no.

A real shamanic tambourine is not just a musical instrument.

The shaman's drum is a ritual object. And this is a living being. A real “horse” for him, on which the shaman travels in the world of spirits.

A shaman's drum can only be made by a shaman, a person who sees and feels spirits. The birth of a ritual tambourine is a process that is completely controlled by the spirits of the subtle world. After all, with the help of this tool he will help people, convey their will.

It all starts with the fact that the animal from whose skin the tambourine will be made comes to give its life. While the master is making a tambourine, the spirit of this animal is nearby. And when the tambourine is ready, the shaman performs a ritual in which the spirit of this animal settles inside his tambourine. And the tambourine comes to life.

So what is a shaman’s tambourine?

This is a round product in which the spirit of the animal from which this tambourine is made lives. And this spirit is tamed by the shaman.

When the shaman begins his ritual, begins to talk with the tambourine, begins to beat the butt on the membrane, he will find the spirit of this animal inside the tambourine from sleep. The spirit wakes up, the shaman sits astride the spirit of the animal and he takes the shaman to any of the worlds, wherever he needs to go. And the shaman sees where he is taking him, that is, he communicates with him.

We wrote earlier about those who are summoned with the help of a tambourine.

When ordinary person who studies shamanism, buys himself an ordinary tambourine in a store or from a private craftsman, and begins to perform shamanic rituals with this instrument, then without realizing it he can harm both people and himself. After all, for example, if he treats diseases without a faithful “horse” who knows the way in the subtle sense, he can literally “get lost” in the subtle worlds, and he himself can be “devoured” by the spirits of diseases. And not only will he not help the person, but he himself will get sick or go crazy. This can happen when people go into a trance, for example through drugs. When a person does not choose and control his “route” on a journey through the subtle worlds.

So a real living shamanic tambourine can only be made with one’s own hands a real shaman who communicates with spirits.

A tambourine purchased in a store, or one that you made yourself based on a sketch from the Internet, will be just a musical instrument.

Alla Gromova is a student of Kudai Kama, a hereditary Siberian shaman, she not only creates protection for humans, but also teaches shamanism large number people. Only at a shamanic seminar can you get real tambourine shaman in whom the spirit lives. And Alla Gromova teaches this spirit to obey its new owner. Already, many students of Alla Gromova around the world have become the owners of such a powerful assistant as a living shamanic tambourine, a very powerful object of power. And we learned to interact with him. If you want to become the owner of a real shamanic drum and learn how to work with it, come to the nearest shamanic seminar. .

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All tambourines that we offer are made from natural materials.
Making a tambourine is a complex multi-stage process mainly handmade. Which is called craft, folk craft. Mastery.

What makes up the price of a tambourine and the quality of a tambourine.
1. Procuring fresh skins and cooking them.
At this stage it is important that the skin is removed without cuts or scratches, and is properly salted or dried without contact with the iron.
2. Processing and dressing of the skin.
It is important to thoroughly wash the skin of dirt, salt, meat and fat.
3. Stretching and dressing the skin. Drying.
The sound quality largely depends on the quality of the tension. The drying process takes from a week to two. It is best to clean the fur, if necessary, by hand, with a scraper, as our ancestors did - this is the highest quality method.
4. Making the rim. Leveling, grinding and polishing the rim.
The rim is bent from solid wood, steamed and fastened, then stitched and polished. The durability of the tambourine depends on the degree of polishing and varnishing. The hardness of the wood of the rim determines its evenness. Plywood, even multi-layered, will inevitably curl into a figure eight over time, or the leather will break the rim.
5. Cutting and preparing the skin for stretching.
The skin is cut taking into account the anatomy of the animal, taking into account the geometry of the tambourine and tolerances for fastening..
6. Preparation of fastening material: laces, threads (if used), nails (if used).
Depending on the method of fastening the skin, auxiliary materials are selected.
7. Assembling the main part of the tambourine: tightening the leather on the rim.
Tension is always a difficult physical process. The durability of the tambourine, stability, and reaction to the weather depend on the method of fastening the skin. The skin becomes soaked.
8. Creating a handle. Weaving the crosspiece (if the handle is soft), cutting and strengthening the wooden crosspiece (if the crosspiece is wooden).
The cross, if the tambourine has one, affects the sound, high and low overtones, the degree of skin tension, and the comfort of holding it in the hand.
9. Final finishing of the tambourine.
Only after the tambourine is completely assembled and dried do the details become visible, the sound and appearance appear.
10. Making a beater. Processing a wooden (or bone) stick, protection work surface soft material.
Depending on the type of tambourine and its purpose, a mallet is selected and made, with a soft end, carved or simple.

Today interesting article about how to make a tambourine and bring it to life.

As you know, different peoples of Siberia have their own process of becoming a shaman.

As a rule, after a person is chosen by the spirits to be a shaman, he will have to suffer from the so-called “shamanic disease,” which outwardly looks like a mental disorder.

At the same time, the soul of the future shaman passes necessary tests and rituals initiated and performed by the spirits who chose him.

Having recovered from illness in this way, the future shaman can begin making a tambourine.

As a rule, during the first time of his practice, the shaman makes do with one mallet, performing simple and insignificant rituals. The wooden base of the beater is tied with a cloth, or tow, so that it takes on the appearance of a long whip, waving which the shaman performs rituals.

After the spirits determine the shaman's maturity, he is instructed by them to make his own tambourine. The spirits indicate where the tree grows, from which the shell of the future tambourine should be made, as well as the animal whose skin should be covered with the instrument.

The cutting and processing of wood, as well as the killing of an animal, are accompanied by special rituals, which usually take place over two days.

On the third day, the shaman covers the tambourine with leather with his own hands and prays to the spirit-owner of the tambourine. The shaman often inherits this spirit from an ancestor, a shaman, who died before the tambourine maker received his shamanic gift.

After the making of the tambourine is completed, the central moment of the ceremony begins - revival of the tambourine.

To do this, vodka is sprayed onto the rim of the tambourine, after which it “comes to life” and through the mouth of the shaman talks about his previous life, when he was still a tree, growing up in the forest, bent by the wind and suffering from frost. This story ends with a promise to serve the new master well. This ritual sometimes lasts the whole night.

At dawn, drawings are applied to the leather surface of the tambourine. The owner of the tambourine, the container of which is the handle of the tambourine, tells the shaman what kind of images should be applied. It is usually made from a sacred tree - birch. The handle has the shape of an anthropomorphic figure, as if depicting the host spirit itself.

Numerous metal pendants are suspended from the rim of the tambourine. These are containers for the shaman’s “service spirits.” The more such service spirits a shaman has, the greater his power.

During the ritual, a new tambourine is generously sprinkled with vodka or mash, after which it is dried over a fire.

The next day the shaman performs his first ritual with a new tambourine. He rises to the upper world and demonstrates his instrument to the creator spirits.

Then he descends to the lower world to Erlik Khan. The shaman receives important information from the spirits - the service life of the new tambourine, as well as the number of subsequent tambourines that the shaman will have to make during his entire life. life cycle. The lifespan of the shaman depends on this information.

Thus, during the first ritual with the first tambourine, he receives accurate information about the date of his death, since it is known that after the end of the service life of the last tambourine, the shaman himself will die.

When replacing an old tambourine with a new one, the shaman takes the used instrument into the forest, there he removes metal pendants from it (containers of service spirits), which are transferred to the next tambourine made by this shaman.

The moment of abandoning the old tambourine occurs only at the moment when the new one is already ready, but not yet revived. Thus, throughout his entire life, the shaman is not left without a functioning tambourine. After a used tambourine leaves its owner, the ritual of reviving the next tambourine immediately begins.

A musician, playing a tambourine or drum, becomes the center of the world and the core of a new life, whatever it may be. (C. P. Estes)

Varieties

Currently, there are 2 main types of tambourines:

People's or ethnic, wooden rim with a stretched leather membrane. Depending on their purpose, tambourines come in all sorts of sizes. Tools of this type are used for ritual purposes by indigenous shamans. Also considered folk are tambourines with small bells tied to a wire stretched under a membrane.

Orchestral tambourine, the most common option, with a leather or plastic membrane and metal plates fixed in special slots on the rim. This tool is sometimes mistakenly called tambourine. The instrument has firmly established itself in professional music, becoming one of the main percussion instruments symphony orchestra.

The tambourine is one of the oldest instruments. Therefore, its design is simple - at least when compared with a piano. However, the tambourine has both deep musical expressiveness and magical properties.

Making a tambourine.

So, today we will make a tambourine. For this we will need: leather, a rim and ~2 meters of rope. Leather. To make a tambourine we will need two undressed goat skins. This will be the best material. If you do not find goat skins, then take any available skin from a killed animal.

Leather processing.

The first step is to soak the skin. The skin is placed in a bucket or cup of water at a temperature of 18-22 ° C and liquid coefficient 1:10. The weight of the skin should be converted into kilograms and multiplied by 10 - this will be the required amount of water in liters. The duration of the process is 20-24 hours. The water will need to be changed several times, and the skin will need to be kneaded every 4 hours.

Fleshment.

The next stage of treatment is to remove any remaining fat and muscle from the skin. This is a rather labor-intensive process. You will need a wooden board on which you need to nail the skin around the perimeter with small nails. Next, you pick up something like a chisel or a blunt knife with a wide, sharp blade and begin to remove fat from the skin. Pay attention! Fleshing is carried out on the “inner” side of the skin, that is, where there is no hair. You have to be careful not to damage the skin.

Dehairing.

Now the hair is removed from the skin. To do this, you will need chemical reagents (Ca(OH)2 and Na2S. The first of them is slaked lime, which is used for whitewashing. It can easily be found in a hardware store. I personally could not find sodium sulfide, so my tambourine remained slightly “hairy" "
But let's say you find both. Operations with chemicals should be carried out outdoors and wearing rubber gloves. To prepare a mixture for dehairing, you need to dilute 75 g of sodium sulfide in 1 liter of water. Lime must be added to this mass until the solution reaches the consistency of sour cream. After this, the solution must be applied to the flesh (the part from which you scraped off the fat) and left for 8 hours. During the reaction, an unpleasant odor of hydrogen sulfide will be released. After completing this process, you need to check the strength of the hair. If it comes off easily, then it must be completely removed, and then thoroughly rinse the skin in water.

Liming.

You need to weigh the resulting skin, convert it into kilograms and multiply by 5. The resulting number shows how many liters of water you will need. For each liter you need to add 15 g of sodium sulfide. The temperature of the solution should be 18-22 ° C. Ashing lasts 30-35 hours. Every 5 hours the solution must be stirred for 3 minutes. After finishing liming, the skin should be washed in running water within 1.5-2 hours. Deliming. For this process we need one more reagent - ammonium sulfate ((NH4)2SO4).
It is necessary to take ammonium sulfate in an amount of 1.5% by weight of the skin and dilute it in water at 30-32 ° C. The amount of water in liters is equal to the mass of the hide in kg, multiplied by 3.5. Deashing lasts 1-1.5 hours with stirring every 15 minutes for one minute. After all this, you need to rinse the skin in running water for 30-40 minutes. Drying. If you are preparing the skin for making tambourines or anything else, then you need to dry it. If you are going to make a tambourine right away, then you can skip this process. So, drying. Stretch the skin wooden shield and nail it with small nails. When it dries, store it in this position without folding or bending.

Making a hoop.

We determine the blanks for the rim using the circle length formula: X=2R, where: L is the circumference, (pi) is equal to 3.14, and R is the radius of the small circle. In a simplified version, you can use a thin rope or thread, carefully spreading it over the entire small circle, and then take measurements with a ruler or tape measure.
Having received the size of the future rim (individual in each case), you can begin to search for the right wood. Deciduous tree species are considered suitable. In our case, birch will be used. This tree grows almost everywhere and is easy to process. To make the rim you will need a barrel young tree, with a diameter of 10-15 cm and length, equal to length future hoop (but it is best for the blank to be 5-10 cm larger).
The log must be sawn into boards 1.5 centimeters thick, and then a blank for the rim with the following dimensions must be cut from a suitable board: length equal to the length of the hoop, width - 7-8 cm, thickness - 0.8-1 cm. After this, the plank should be placed into water (a stream or pond is suitable for these purposes) and soak it for 6-7 days before making the rim. Traditionally, the board is boiled in boiling water, but this requires specific devices and not everyone can do it, and therefore we will deviate from the classical technology.
In order to make a rim from the resulting strip, you will need a matrix (template). It can be made in two ways: 1. you should take a transverse cut 17-20 cm high from the butt of a large tree and, having drawn the circumference of the future rim on it, cut off the protruding edges with an ax. Exactly the same matrix can be made from boards 5-6 cm thick. In addition to this you will need metal sheet length equal to the length of the hoop, width - 13-15 cm and thickness - 3 mm.
Along the entire length of this sheet, at a distance of 2 cm from the edges, you need to drill holes with a diameter of 5 mm in increments of 3 cm. When everything is ready, you should take a matrix, a well-soaked strip, a metal sheet and nails 100-120 mm long. Having aligned the ends of the sheet and the planks, we place them on the matrix and hammer nails into the first pair of holes. The entire structure should be oriented so that the metal sheet evenly goes around the matrix, and the bar is located inside.
Nails must be driven into the matrix strictly in pairs, without missing holes. The bar should bend slowly. It is necessary to ensure that the process proceeds evenly and that the bar is pressed tightly against the matrix. After all the nails are hammered in, the resulting structure should be thoroughly dried. The drying time is determined individually in each case, but it is better to over-dry than not to dry, since a damp plank can straighten out.
The matrix can be disassembled only after it has dried. The ends of the resulting hoop are connected using an overlap. To do this, you need to cut grooves at both ends. The joints should be well adjusted to each other and fastened with small nails, additionally coating the joint with glue. You can also use rivets instead of nails. Now all that remains is to align the edges of the rim and sand its inner and outside sandpaper
To protect against atmospheric influences The rim is usually covered with drying oil, stain or waterproof varnish. 4. Assembly Last stage The manufacture of a tambourine is carried out as follows. You need to take both tanned skins (they should be stored dry and stretched), choose the one that will be the membrane of the tambourine, and soak it in water at room temperature for 10-12 hours.
The second skin should be cut along the ridge into strips approximately 0.5 cm wide (it is better to do this with scissors) and also soak in water. The resulting straps will tighten the membrane, and the handle of the tambourine will be made from them. It is important that the leather fibers are well saturated with water (moisturized). When the skin is ready, you need to squeeze it lightly and spread it on a table or suitable flat surface flesh side up. Then take the finished hoop, place it on top and align it with the center of the skin. At a distance of 0.5 mm from the edges of the skin and 4-5 cm from each other sharp knife or use an awl to make holes with a diameter of 0.3 cm around the entire perimeter.
In addition, we will need a fairly strong metal or plastic ring with a diameter of 5-7 cm and several meters of packaging twine or twine. The twine must be cut into pieces of such a size that one end can be tied to the edge of the skin, and the other secured to a ring (see Fig. 117). Having done this with the first pair of opposite holes, we tighten the twine well and move on to the next opposite pair.
Thus, you need to connect all paired holes. While working, you should periodically moisten the skin with water, as it shrinks in size when it dries. Now, stepping back 2-4 cm from the edge of the rim, you need to draw two circular rows of dots (future holes) so that they are located on top of each other. The distance between the rows and between the holes is 2 cm. After this, remove the skin from the rim and make holes with a diameter of 0.3 cm in the places marked with dots. Cut off uneven edges with twine attachment points, retreating 1 cm from a small concentric row of holes. Now the edge of the leather needs to be folded inward so that the holes match, and stitched with a strap, while another strap needs to be placed in the resulting fold. Release the ends of both straps so that they can then be pulled together and tied tightly.

All that remains is to insert the rim into the resulting structure, and alternately tightening the ends of the straps to achieve maximum tension on the membrane. In order to make a tambourine handle, you need to divide inner side tambourine into 8 equal sectors and make 8 holes with a diameter of 0.3 cm in the places where the internal tightening belt passes, so as not to damage it. Once this is done, the resulting tambourine can be dried at room temperature.

Now you need to connect all 8 opposite holes in pairs with straps, and tie the ends of such a stretch so that the knots are exactly in the center of the tambourine. Then, starting from the center, tightly, turn to turn, we wrap a strap around two adjacent stretch marks. In this case, the stretch marks converge, and the future handle begins to stretch. In a similar way, you need to criss-cross all 4 pairs of stretch marks and, by changing the number of turns on them, adjust the degree of tension and symmetry of the handle. To make the tambourine comfortable to hold, we make a pad for the hand. To do this, we wrap the crosspiece with a strip of suede 1.5 cm wide. The length of such a tape will be individual in each case. The size of the pad should be such that it fits comfortably in your hand. It should be wound so that the first turns form a regular square the size of the future pad, and the subsequent ones gradually become smaller, covering the previous turns by about half.
Converging towards the center, they should form a kind of layers. When the turns of the tape meet in the center, a cross-shaped pattern is formed. In order to finish it, the excess end of the leather strip needs to be cut off, and the remaining one must be sewn to the previous turn with thread. Observing the symmetry and uniformity of stitches, the same follows with three more pairs of turns, forming a braid in the center.

material taken from the book “Shamanic Healing” by Olard Dixon

The tambourine naturally reacts to environmental humidity. If the sound of the tambourine has changed, become higher or lower, i.e. the skin is tight or sagging, you can moisturize or dry it accordingly. To moisturize, it is best to bring it into a room with high humidity, either hold it briefly over steam or wipe it with a damp cloth. To dry, you should carefully warm the tambourine over its entire surface, for example, by holding it over a heater or candles, or even an electric light bulb, or a fire. During the tuning process, you should stroke the skin and check the pitch, achieving the desired tone. The leather does not require much care, but for greater elasticity, you can lubricate it on both sides with burdock oil (sold in pharmacies). The same goes for diamonds with fur. We recommend treating them with any moth repellent, especially if the tambourine is not used for a long time and is not ventilated.

Impregnation against dampness for tambourine:

Wood glue (preferably fish glue) is diluted with water in a liquid ratio of 1:15, 1:20.
Apply with a brush at above-zero temperatures IN A THIN LAYER at intervals of 12 hours for 10 days.

Shamanism as a religion was formed at the dawn of humanity. This early form of religion was based on the belief in the shaman's contact with spirits in a state of trance. Shamanism is closely intertwined with magic, totemism, fetishism, and its reflection can be seen in many modern religions.

In the article:

Shamanism as a religion

Shamanism is rightfully considered the earliest form of religion and was developed among most peoples of the Earth in one form or another. The term “shaman” itself is used in many languages. Such people are considered messengers of spirits.

You can become a shaman as a result of long practice or by the will of higher powers sending a spirit that must enter the body of the future medium. Real mediums go into trance, visit the upper, lower and average worlds, are able to get answers to important questions and treat people.

Such a practitioner can be either a man or a woman. It is believed that such a person can even see evil spirits, gods, and the souls of the departed. Some animistic religions rely on shamanism, which believe that everything that exists in nature is animate.

Shamanic rituals

One of the simplest shamanic rituals, which has been known since ancient times, is ritual for longevity. It is held late in the evening. One of the important elements of such a ritual is cedar bark. The practitioner lights the bark and blows the smoke onto the person three times.

Next, he begins to read magical texts, asking the gods to grant the individual longevity and health. When the ritual is completed, the person must take the burning bark himself and circle it three times around his body. People believe that it is cedar that has special medicinal properties that will help you achieve a long life.

Another very popular ritual is baby's call. In ancient times, if a couple was unable to have a child for a long time, they went to a shaman for help. First, the practitioner needed to conduct fortune-telling in order to determine the most suitable day to perform the ritual.

After this, parents should prepare a doll (symbolizing the child), a crib, milk, fish and some alcohol. When everything was ready, the practitioner lit a magical fire and from that moment began commit- read a prayer, calling on everyone higher powers become witnesses of this action and help those asking.

Then alcohol and milk were poured into the fire and fish was thrown into the fire. This is a tribute to the spirits. Next, the shaman began to guess to determine whether the spirits of the victim accepted and were ready to come to the aid of the spouses.

To do this, a special bowl was thrown up. If she fell upside down, this indicated that help would be provided. If a refusal was received, the bowl was tossed two more times. If the gifts were still not accepted, the ritual was postponed to another day. If the answer is positive, then the spouses should go to the grove and hang the cradle with the doll on the same tree.

After that, they again went to the shaman, drank a special tincture and smoked a pipe. It was believed that this ritual was completed. It was possible to thank the shaman by helping him with the harvest.

Making a shamanic tambourine with your own hands

When starting to make a shamanic drum with your own hands, pay attention to the choice of animal skin. This decision must be deliberate, since it is this animal that a person will transform into during magical travels. There is an opinion that you should choose your totem animal.

Shaman's drum

The next step is choosing a tree. In ancient times, the ritual was carried out like this: the future practitioner was blindfolded and he went into the forest. The spirits guided the future mediator between the worlds, and he looked for the tree that suited him best. You can use this method or think about which tree’s energy is most pleasant to you.

It will be necessary to make a cylinder out of cardboard, and then wrap it with veneer made from the selected wood. The product should be quite durable. It is best to secure the winding with epoxy resin. The leather should be wetted and placed on the rim using a nail or glue. Using two small sticks, make a cross and tape it to the tambourine on the back side.

To activate the magic attribute, they need to swipe clockwise 9 times over an open fire. After this, smoke the tambourine with wormwood and juniper. The crosspiece should be sprinkled with milk, and the tambourine should be greased with tobacco pulp. After this it will be ready for use.

Shamanic ritual clothing

The shaman's costume was always special. He was supposed to look intimidating. It was very important that in practice there were as many different pendants as possible that would imitate the human skeleton. Such an outfit was supposed to protect its owner from any negative magical influence. It was not the shamans themselves who created the costume; special craftswomen were hired for this purpose.

Mandatory elements of clothing were a hat, fur coat and shoes. Cap was made in the form of a crown without a top. WITH different sides Meter tapes had to be placed. The face was embroidered on the front part: eyes, nose, mouth, ears. Ribbons with tassels at the ends were sewn to the back.

Fur coat made from deer skin. It is important that the fur is inside. An image of a person made of yellow stripes can be sewn on the left side. The same stripes were depicted on the back and on the arms (from a distance they were supposed to resemble bones). Small bunches of bird feathers were sewn onto the elbows.

The hem of the fur coat was always decorated with multi-colored stripes. The most commonly used colors were white, yellow or orange. On right side Five metal plaques were sewn onto the fur coat. On the left - ten. It was believed that the costume should have 11 ribbons and 285 strands, which were attached directly to the ribbons and ended in leather tassels.

Boots also made from deerskin. The tops were at least 40 centimeters. Bright red pieces of fabric could be sewn directly onto the skin. An image of a person’s foot (from the instep to the toes) was embroidered along the top of the sock.

As you can see, the costume should look very intimidating. This is a rough description appearance shaman. Each nation had its own characteristics. Some applied social shamanic patterns, others used specific colors in clothing. Each nation tried to make its medium the most formidable and terrifying.

Shaman's harp

A harp is a musical instrument, an attribute that in ancient times was made from bamboo, bone or wood, but with the advent of the first forges it began to be made from metal. For some, such an attribute is an ordinary musical instrument, but for a shaman it is a real magical artifact.

Weighted Jew's harp

It is believed that if a person plays this instrument, his body begins to emit special vibrations. The music itself no longer even comes from the instrument, but from the player. It is believed that during the game a person’s perception can change, the sensitivity of all organs increases and the person is able to enter a light trance.

This is necessary if the practitioner communicates with the souls of the dead, with the spirits of the elements, or tries to call upon certain weather. Each shaman's harp is individual. This is his source of energy, so it is advisable to create it with your own hands and not give it to anyone. For each ritual, a special melody is played, which only the shaman himself knows.

Mirror Tolya

This is a mirror that helps you see what is hidden from the eyes of any other people. For example, with the help of such a mirror you can see the real intentions of a person, the spirits surrounding the shaman. Toli is also a protective attribute. The mirror usually has a round shape, sizes can vary from two to 20 centimeters.

Shamanic mirror with Gifts

The attribute is made from copper, iron, silver or jade. Usually a loop is made on one side so that the shaman can carry the mirror on himself. This is real mirror protection, which is very difficult to destroy. A practitioner may have several such magical attributes. This is done in order to protect a person as best as possible from various evils.

Mirrors can be attached to the shaman’s clothes (some on the chest, others on the back). This attribute can help even when performing a dangerous ritual.

For example, if the wrong spirit came to the call and tried to attack the shaman or someone present. In this case, with the help of a mirror, the uninvited spirit can be sucked in and then expelled into the ground. To do this, the mirror is positioned face down.

How do shamans go into trance?

If you decide to try to enter a trance using the shamanic method, be sure to take advantage of the support and help of one of the experienced practitioners. Having a teacher will be very helpful; he will be able to give a signal when you need to return to our world.

Trance Ceremony

Determine the appropriate drum frequency for yourself. On average, choose 200-220 beats per minute. You can use a real drum or use an audio recording. The day before such a practice, you need to stop drinking alcoholic beverages, nicotine, and any substances that affect the psyche. Four hours before the ritual, try not to eat anything.

Manipulations are carried out in dark place, where virtually no light reaches. The eyes should be blindfolded. Lie on the floor, take off your shoes and unbutton your clothes. Tune in to the beats of the tambourine, take a deep breath and exhale, close your eyes and try to fix your gaze on the bridge of your nose without opening them. Tune in to your own deep breathing and imagine yourself moving forward.

Oksana Zakhurdaeva

« Funny tambourines»

A teacher, as a creative person, sets himself many serious tasks. And I decided not to lag behind.

My husband helps me in improving my creative process, in improving the quality of educational work with children through the organization of a subject-spatial environment.

Having collected the cardboard base from the tape, we decided to cover it with colored threads. My husband drilled holes in them and threaded them through the thread with plates from the old one. tambourine. The result was a new tambourine. Diamonds contribute to the development of a sense of rhythm and musical ear.

Then we attached kinders to another base, which they filled with different cereals (buckwheat, millet and rice). The result was very interesting noise musical instruments. Children find it very interesting and educational.

And finally, in a similar way, we decided to attach bells to the base. We got it fun tools.

Musical instruments can be decorated in different ways, and let the children do it. This allows the child to develop fine motor skills, fantasy. In the process of decorating musical instruments Children develop communication skills, creativity, imagination and thinking.

These musical instruments can be used for rhythmic accompaniment of dances, dances, songs, games and performances musical fairy tales and plays.

Data tools are decoration music corner, are used by children in free, playful, theatrical activities and in classes.

We found practical application ours homemade musical instruments, performing in the orchestra at the holidays and entertainment of the kindergarten.

Create for your health!

Publications on the topic:

In our kindergarten The “Musical Instruments with Your Own Hands” competition took place. The competition was held among parents and teachers. Tools.

"Kindergarten" is a big GAME! I've been playing it for about 35 years. It's time to retire. But the GAME continues! To make it interesting for children to dance.

The correct approach to music education should not only comprehensively take into account the capabilities of young children, but also put them first.

Soon there will be a music corner competition in our kindergarten. We are on parent meeting decided to make musical instruments with our own hands. By.

For the harmonious development of children aged one and a half to two and a half years, auditory perception and a sense of rhythm are important. Develop and.

Noisy musical instruments are accessible and therefore loved by children. Children hear the world of sounds in a new way, and there are many of them around us.

Abstract of the educational activity “Musical Instruments” Musical director: Guys, today we will talk about musical instruments. On earth, everyone has a home. Fine.

All tambourines that we offer are made from natural materials.
Making a tambourine is a complex, multi-stage process, mostly done by hand. Which is called craft, folk craft. Mastery.

What makes up the price of a tambourine and the quality of a tambourine.
1. Procuring fresh skins and cooking them.
At this stage it is important that the skin is removed without cuts or scratches, and is properly salted or dried without contact with the iron.
2. Processing and dressing of the skin.
It is important to thoroughly wash the skin of dirt, salt, meat and fat.
3. Stretching and dressing the skin. Drying.
The sound quality largely depends on the quality of the tension. The drying process takes from a week to two. It is best to clean the fur, if necessary, by hand, with a scraper, as our ancestors did - this is the highest quality method.
4. Making the rim. Leveling, grinding and polishing the rim.
The rim is bent from solid wood, steamed and fastened, then stitched and polished. The durability of the tambourine depends on the degree of polishing and varnishing. The hardness of the wood of the rim determines its evenness. Plywood, even multi-layered, will inevitably curl into a figure eight over time, or the leather will break the rim.
5. Cutting and preparing the skin for stretching.
The skin is cut taking into account the anatomy of the animal, taking into account the geometry of the tambourine and tolerances for fastening..
6. Preparation of fastening material: laces, threads (if used), nails (if used).
Depending on the method of fastening the skin, auxiliary materials are selected.
7. Assembling the main part of the tambourine: tightening the leather on the rim.
Tension is always a difficult physical process. The durability of the tambourine, stability, and reaction to the weather depend on the method of fastening the skin. The skin becomes soaked.
8. Creating a handle. Weaving the crosspiece (if the handle is soft), cutting and strengthening the wooden crosspiece (if the crosspiece is wooden).
The cross, if the tambourine has one, affects the sound, high and low overtones, the degree of skin tension, and the comfort of holding it in the hand.
9. Final finishing of the tambourine.
Only after the tambourine is completely assembled and dried do the details become visible, the sound and appearance appear.
10. Making a beater. Processing a wooden (or bone) stick, protecting the working surface with soft material.
Depending on the type of tambourine and its purpose, a mallet is selected and made, with a soft end, carved or simple.

Instructions

Learn to hold it correctly. Many instruments have a thumb groove on the side rim. It is located on the outside. If there is no such notch, simply place the pad of your right thumb on the outside of the rim. The four remaining fingers are inside the tambourine.

Start with the simplest rhythm. Each musician has his own technique of playing the tambourine. At the same time, performers often perform very intricate tricks with this instrument. They beat out different rhythms, tambourines, and throw them up. But you will learn this later, when you master the basic techniques. Try to beat the rhythm of some march. Listen to the melody and try to pick out the strong and weak beats. Take the tambourine in your right hand so that outer part membrane was directed to the left. With a sliding movement of the fingers of your left hand folded together, beat down the downbeats.

Once you have mastered the beat, make the task more difficult. With the palm of your left hand, tap out the strong beats, and with your fingers, lightly hit the membrane on the weak ones. Both hands should move completely freely. When struck with a tense hand, the sound is sharp and unpleasant.

Pick up a recording of a waltz. The waltz has a three-beat meter, and its first beat is always strong. In the same way as when performing a march, hit the membrane with your palm on the first beat, and tap the other two beats with your fingers. When this succeeds, try to tap the first and second beats in the same way as before, and on the third, lightly shake the tambourine with your left hand.

Find melodies written in other three-beat time signatures. This could be, for example, . Try to catch its rhythm. It is based on syncopation - that is, shifting the emphasis from a strong beat to a weak one. Tap the strong beat as before, and on the weak beat, shake the tambourine once or shake it lightly. The movements of the right hand should be very small and frequent.

Let your imagination run wild with music. Try to convey the character of, for example, a slow melodious melody. In this case, not blows, but long chimes are more appropriate. You can perform them using small frequent movements right hand. It is also appropriate to combine such a “tremolo” with light tapping of the fingers on the membrane.

Dance with a tambourine. Listen to the music and try to feel where you would like to hit the tambourine, and where you would like to ring lightly. Do it the way you want. If the melody is fast and fiery, you can try tossing the tambourine in the most effective place, catching it and playing further as the melody suggests.

According toradio.obozrevatel.com , musical instruments are very important for the harmonious and comprehensive development of a child, the formation of a sense of rhythm and coordination of movements.

A tambourine with your own hands will help your baby with early age develop musical abilities. While listening to children's songs, develop your child's ability to play along with a melody on a tambourine.

The bells will make a melodious ringing as the tambourine moves in the child's hand. It can be shaken expressively or gently swayed from side to side, the sound effect will be different.

Since decorative bells are used in the manufacture of a musical instrument, it should be given to children over three years old, and should only be allowed to play under adult supervision.

It should also be noted that musical toys for children are used in many therapies against stuttering, speech stumbles and excessive nervousness of the child. Needless to say, children's educators, psychologists and psychotherapists have long realized the benefits of these cute games.

To make it you will need:

round hoop with a diameter of 15-20 cm
small bells for decoration - about 12 pcs
piece of lace (size depending on the diameter of the hoop)
lace or strong thread
glue gun
simple pencil
scissors

Manufacturing process:

1. To begin, divide the hoop into two parts. Then step back about 2-3 cm from the lock, and start making dots with a pencil at the same distance. Take the lace and tie it with a double knot near the lock.

2. Tie the string around the headband several times and thread the bell through the first mark.

3. Continue wrapping your fingers, making five turns between bells.

4. After completing the circle, tie a double knot and trim off the excess lace.

5. Loosen the hoop lock. Place the lace on the inner ring of the hoop and place the outer one on top. You can make a more cheerful version of the tambourine if you take a motley fabric of bright colors.

A musician, playing a tambourine or drum, becomes the center of the world and the core of a new life, whatever it may be. (C. P. Estes)

Varieties

Currently, there are 2 main types of tambourines:

People's or ethnic, wooden rim with a stretched leather membrane. Depending on their purpose, tambourines come in all sorts of sizes. Tools of this type are used for ritual purposes by indigenous shamans. Also considered folk are tambourines with small bells tied to a wire stretched under a membrane.

Orchestral tambourine, the most common option, with a leather or plastic membrane and metal plates fixed in special slots on the rim. This tool is sometimes mistakenly called tambourine. The instrument has firmly established itself in professional music, becoming one of the main percussion instruments of a symphony orchestra.

The tambourine is one of the oldest instruments. Therefore, its design is simple - at least when compared with a piano. However, the tambourine has both deep musical expressiveness and magical properties.

Making a tambourine.

Leather processing.

The first step is to soak the skin. The skin is placed in a bucket or cup of water at a temperature of 18-22 ° C and a liquid ratio of 1:10. The weight of the skin should be converted into kilograms and multiplied by 10 - this will be the required amount of water in liters. The duration of the process is 20-24 hours. The water will need to be changed several times, and the skin will need to be kneaded every 4 hours.

Fleshment.

Dehairing.

Liming.

You need to weigh the resulting skin, convert it into kilograms and multiply by 5. The resulting number shows how many liters of water you will need. For each liter you need to add 15 g of sodium sulfide. The temperature of the solution should be 18-22 ° C. Ashing lasts 30-35 hours. Every 5 hours the solution must be stirred for 3 minutes. After finishing liming, the skin should be washed in running water for 1.5-2 hours. Deliming. For this process we need one more reagent - ammonium sulfate ((NH4)2SO4).
It is necessary to take ammonium sulfate in an amount of 1.5% by weight of the skin and dilute it in water at 30-32 ° C. The amount of water in liters is equal to the mass of the hide in kg, multiplied by 3.5. Deashing lasts 1-1.5 hours with stirring every 15 minutes for one minute. After all this, you need to rinse the skin in running water for 30-40 minutes. Drying. If you are preparing the skin for making tambourines or anything else, then you need to dry it. If you are going to make a tambourine right away, then you can skip this process. So, drying. Stretch the skin on a wooden board and nail it with small nails. When it dries, store it in this position without folding or bending.

Making a hoop.

We determine the blanks for the rim using the circle length formula: X = 2R, where: L is the circumference, (pi) is equal to 3.14, and R is the radius of the small circle. In a simplified version, you can use a thin rope or thread, carefully spreading it over the entire small circle, and then take measurements with a ruler or tape measure.
Having received the size of the future rim (individual in each case), you can begin to search for the right wood. Deciduous tree species are considered suitable. In our case, birch will be used. This tree grows almost everywhere and is easy to process. To make a rim, you will need a young tree trunk with a diameter of 10-15 cm and a length equal to the length of the future hoop (but it is best for the workpiece to be 5-10 cm larger).
The log must be sawn into boards 1.5 centimeters thick, and then a blank for the rim with the following dimensions must be cut from a suitable board: length equal to the length of the hoop, width - 7-8 cm, thickness - 0.8-1 cm. After this, the plank should be placed into water (a stream or pond is suitable for these purposes) and soak it for 6-7 days before making the rim. Traditionally, the board is boiled in boiling water, but this requires specific devices and not everyone can do it, and therefore we will deviate from the classical technology.
In order to make a rim from the resulting strip, you will need a matrix (template). It can be made in two ways: 1. you should take a transverse cut 17-20 cm high from the butt of a large tree and, having drawn the circumference of the future rim on it, cut off the protruding edges with an ax. Exactly the same matrix can be made from boards 5-6 cm thick. In addition, you will need a metal sheet with a length equal to the length of the hoop, a width of 13-15 cm and a thickness of 3 mm.
Along the entire length of this sheet, at a distance of 2 cm from the edges, you need to drill holes with a diameter of 5 mm in increments of 3 cm. When everything is ready, you should take a matrix, a well-soaked strip, a metal sheet and nails 100-120 mm long. Having aligned the ends of the sheet and the planks, we place them on the matrix and hammer nails into the first pair of holes. The entire structure should be oriented so that the metal sheet evenly goes around the matrix, and the bar is located inside.
Nails must be driven into the matrix strictly in pairs, without missing holes. The bar should bend slowly. It is necessary to ensure that the process proceeds evenly and that the bar is pressed tightly against the matrix. After all the nails are hammered in, the resulting structure should be thoroughly dried. The drying time is determined individually in each case, but it is better to over-dry than not to dry, since a damp plank can straighten out.
The matrix can be disassembled only after it has dried. The ends of the resulting hoop are connected using an overlap. To do this, you need to cut grooves at both ends. The joints should be well adjusted to each other and fastened with small nails, additionally coating the joint with glue. You can also use rivets instead of nails. Now all that remains is to align the edges of the rim and sand its inner and outer sides with sandpaper
To protect it from weather conditions, the rim is usually coated with drying oil, stain or waterproof varnish. 4. Assembly The last stage of making a tambourine is carried out as follows. You need to take both dressed skins (they should be stored dry and in a stretched state), select from them the one that will be the membrane of the tambourine, and soak in water at room temperature for 10-12 hours.
The second skin should be cut along the ridge into strips approximately 0.5 cm wide (it is better to do this with scissors) and also soak in water. The resulting straps will tighten the membrane, and the handle of the tambourine will be made from them. It is important that the leather fibers are well saturated with water (moisturized). When the skin is ready, you need to lightly squeeze it out and spread it on a table or a suitable flat surface, flesh side up. Then take the finished hoop, place it on top and align it with the center of the skin. At a distance of 0.5 mm from the edges of the skin and 4-5 cm from each other, use a sharp knife or awl to make holes with a diameter of 0.3 cm along the entire perimeter.
In addition, we will need a fairly strong metal or plastic ring with a diameter of 5-7 cm and several meters of packaging twine or twine. The twine must be cut into pieces of such a size that one end can be tied to the edge of the skin, and the other secured to a ring (see Fig. 117). Having done this with the first pair of opposite holes, we tighten the twine well and move on to the next opposite pair.
Thus, you need to connect all paired holes. While working, you should periodically moisten the skin with water, as it shrinks in size when it dries. Now, stepping back 2-4 cm from the edge of the rim, you need to draw two circular rows of dots (future holes) so that they are located on top of each other. The distance between the rows and between the holes is 2 cm. After this, remove the skin from the rim and make holes with a diameter of 0.3 cm in the places marked with dots. Cut off uneven edges with twine attachment points, retreating 1 cm from a small concentric row of holes. Now the edge of the leather needs to be folded inward so that the holes match, and stitched with a strap, while another strap needs to be placed in the resulting fold. Release the ends of both straps so that they can then be pulled together and tied tightly.

All that remains is to insert the rim into the resulting structure, and alternately tightening the ends of the straps to achieve maximum tension on the membrane. In order to make the handle of a tambourine, you need to divide the inner side of the tambourine into 8 equal sectors and make 8 holes with a diameter of 0.3 cm in the places where the internal tightening belt passes, so as not to damage it. Once this is done, the resulting tambourine can be dried at room temperature.

material taken from the book “Shamanic Healing” by Olard Dixon

The tambourine naturally reacts to environmental humidity. If the sound of the tambourine has changed, become higher or lower, i.e. the skin is tight or sagging, you can moisturize or dry it accordingly. To moisturize, it is best to bring it into a room with high humidity, either hold it briefly over steam or wipe it with a damp cloth. To dry, you should carefully warm the tambourine over the entire surface, for example, by holding it over a heater or candles, or even an electric light bulb, or a fire. During the tuning process, you should stroke the skin and check the pitch, achieving the desired tone. The skin does not require much care, but for greater elasticity, you can lubricate it on both sides with burdock oil (sold in pharmacies). The same goes for diamonds with fur. We recommend treating them with any moth repellent, especially if the tambourine is not used for a long time and is not ventilated.

Impregnation against dampness for tambourine:

Wood glue (preferably fish glue) is diluted with water in a liquid ratio of 1:15, 1:20.
Apply with a brush at above-zero temperatures IN A THIN LAYER at intervals of 12 hours for 10 days.